The Rev. Al Green

This is one of those things people tell you do to when you’re in Memphis: Go see the famous soul singer Al Green at the church he founded. On Sunday, Oct. 2, I was heading back home to Chicago after attending Gonerfest, a three-day punk and garage-rock party in Memphis. I decided to swing by the Rev. Al’s Full Gospel Tabernacle before leaving town. As several websites correctly indicated, services began at 11:30 a.m.

I’ve been told that you can’t be certain Green himself will appear at any given service and it isn’t easy to find out ahead of time. As the crowd filtered into the sanctuary, I noticed several musicians who’d played at Gonerfest — including the Australians in Chook Race and the New Zealanders in the hard-rock band Bloodbags — taking seats among the regular congregants. It looked like a third of the crowd was tourists.

The church’s choir performed, singing joyful gospel music that got the congregants (and some of us tourists) onto our feet and clapping our hands. Before too long, Green entered. “My name is the Rev. Al. All of you know me,” he said. “God has blessed us. You know how I know? Because you’re here.”

Throughout the 2-hour-and-15-minute service, Green preached and sang — often breaking out into snippets of hymns while he was in the midst of speaking. And wow, what a voice — Green is just an amazing singer as ever. There were a few moments when I could barely believe what I was hearing.

Green and the others at the Full Gospel Tabernacle are obviously accustomed to attracting curious people outside of the regular congregation, and they were very welcoming. At one point, Green asked people were they were from. A large contingent of Australians was present, along with people from England, France, Japan, Canada, Sweden, Switzerland, Belgium and various parts of the U.S. (“England?” Green exclaimed. “Let’s get a shout for England. Yee-hah!”)

I wasn’t certain if taking photos or video was allowed, but several people were doing it — and no one seemed to be frowning and dissuading them — so I pulled out my iPhone to snap some pictures and record video. (See my video at the top of this post.) I was holding up the phone when Green came down the aisle toward me. Seeing me, he remarked: “Hi there. You’re busy taking my picture. Hurry up — I look good!”

At another point, when a baby in the church cried, Green said, “That’s right, little baby. Say, ‘Amen!'” He also showed his sense of humor when he drank wine during the sacraments, noting: “Mmmm. Must be some of that Mogen David. Someone been to the store.”

Green started to comment about the presidential election, but then he said he wouldn’t bring politics into his pulpit. He told those present to keep God at the center of their decision about which candidate to vote for. “Because God is L-O-V-E,” he said. A minute later, he remarked, “I just love people, and I love people that love people.”

Green’s fame is obviously the reason so many strangers flock to his church, but he struck a modest tone, saying: “We can talk to each other like this because we’re little shots. I’m not a big shot. I’m a little shot.”

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Also see:

My roundup of Gonerfest and my visit to Memphis

Gonerfest 2016 and Memphis photo galleries:

Day 1 — opening ceremonies at Cooper Young Gazebo (Nots) and nighttime show at Hi Tone (emcee Jim Dandy, Hash Redactor, Chook Race, Counter Intuits, Useless Eaters, Fred & Toody, Reigning Sound)

Day 2 daytime party at Memphis Made Brewing (LSDOGS, Kool 100s, Trampoline Team, Pity)

Day 2 nighttime show at Hi Tone (Opposite Sex, Aquarian Blood, Power, Buck Biloxi, Blind Shake, Black Lips)

Day 3 daytime party at Murphy’s (Casual Burn, Bloodbags, Fire Retarded, Archie & The Bunkers, Iron Head, Zerodent, Oh Boland, Bloody Show, The World, Spray Paint)

Day 3 nighttime show at Hi Tone (emcee Tom Scharpling, Couteau Latex, Sick Thoughts, Bloodshot Bill, Control Freaks, Midnight Snaxxx, Kid Congo and the Pink Monkey Birds)

Touring Ardent Studios with Jody Stephens

Photos of Memphis.

Ardent Studios

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Jody Stephens, the drummer for the legendary band Big Star, kindly agreed to let me tag along Sept. 30, 2016, on a private tour he was giving at Ardent Studios — the Memphis recording studio where Big Star made its classic records, along with countless other artists over the years, including the Replacements and R.E.M. Ardent is celebrating its 50th anniversary this year.

Stephens works as Ardent’s business development director — and he’s still active as a musician, writing and singing some lovely songs in the vein of Big Star’s acoustic ballads, on the self-titled album of his new band, Those Pretty Wrongs.

Stephens showed us through the studios, amiably chatting about the equipment and the people who have played inside those walls. “Playing music together is kind of like recipes,” he remarked at one point. “Everybody has their own ingredients for what they put in.” Discussing the best place to put the drums in a room, he said, “Everybody has a different idea of where the sweet spot is.”

That neon big star in the reception area isn’t the one that was used on the cover of Big Star’s Radio City — it’s a replica. But Jody’s the real thing.

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Also see:

My roundup of Gonerfest and my visit to Memphis

More Gonerfest 2016 photo galleries:

Day 1 — opening ceremonies at Cooper Young Gazebo (Nots) and nighttime show at Hi Tone (emcee Jim Dandy, Hash Redactor, Chook Race, Counter Intuits, Useless Eaters, Fred & Toody, Reigning Sound)

Day 2 daytime party at Memphis Made Brewing (LSDOGS, Kool 100s, Trampoline Team, Pity)

Day 2 nighttime show at Hi Tone (Opposite Sex, Aquarian Blood, Power, Buck Biloxi, Blind Shake, Black Lips)

Day 3 daytime party at Murphy’s (Casual Burn, Bloodbags, Fire Retarded, Archie & The Bunkers, Iron Head, Zerodent, Oh Boland, Bloody Show, The World, Spray Paint)

Day 3 nighttime show at Hi Tone (emcee Tom Scharpling, Couteau Latex, Sick Thoughts, Bloodshot Bill, Control Freaks, Midnight Snaxxx, Kid Congo and the Pink Monkey Birds)

A visit to Al Green’s church

Photos of Memphis.

Gonerfest and Memphis

After going to Gonerfest in 2014, I knew that I’d want to come back to this annual Memphis punk and garage-rock shindig. Chicago has its share of lively mosh pits, but the Gonerfest crowd in Memphis tends to be a bit more raucous. Plus, the small-scale fest is a great excuse to visit Memphis, a city filled with musical history and fantastic barbecue.

Reigning Sound
Reigning Sound

I missed Gonerfest in 2015, but returned for this year’s festivities, which ran from Sept. 29 through Oct. 2. The highlights for me included seeing the original lineup of Reigning Sound (Greg Cartwright, Greg Roberson, Jeremy Scott and Alex Greene). I’ve seen this band several times in Chicago and enjoyed the shows, but none of them compared with this set. The excitement of the crowd was palpable. Maybe it was because this was a hometown show for the band. Or maybe people were just thrilled to see this version of the band. People were dancing and singing along all around me, and the enthusiasm was contagious. And as Cartwright sang one quick masterpiece after another, it reminded me of just how impressive those Reigning Sound albums are, with tightly wounded rock tunes reminiscent of the 1960s, packing memorable melodies into every minute.

Nots
Nots

Nots, an all-female Memphis band who are regulars in the Goner scene, knocked my socks off with their energetic late-afternoon set that served as the festival’s opening ceremonies.

Black Lips
Black Lips

Black Lips were the headliners on Night 2, whipping the crowd into a similar frenzy with their singalong rockers. The Blind Shake were even fiercer. Other bands that sparked intense moshing included Sick Thoughts.

Chook Race
Chook Race

On the lighter side, the Australian band Chook Race (which is on the Chicago label Trouble in Mind) made delightfully pretty chamber pop.

Zerodent
Zerodent

Groups from Down Under always have a strong presence at Gonerfest, and this year was no exception. During Saturday’s daytime party at Murphy’s — which has been my favorite part of the festival both times I’ve gone — I discovered a band from Perth called Zerodent, which slammed through post-punk songs in a style that reminded me of the Fall and Royal Headache.

Bloody Show
Bloody Show

Other high points on Saturday afternoon included Bloody Show, a band from Columbus, Ohio, playing noisy garage rock with swagger and flair.

Oh Boland
Oh Boland

And Oh Boland, a trio from Tuam, Ireland, blew me away with rambunctious yet tuneful songs. Later at the merch table, I bought Oh Boland’s new album, but the band hadn’t received a shipment of album covers, so the drummer drew the cover and wrote out the song titles on a blank cover.

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While I was in Memphis, I took in sights around town — you can see my photos of Memphis on Flickr. I lucked into a chance to look around Ardent Studios with none other than Big Star drummer Jody Stephens as my guide, tagging along on a private tour he had already scheduled. (Though I didn’t know it at the time, later that day, I stopped into Shangri-La Records and discovered that Stephens has a new album with his band Those Pretty Wrongs, a nice collection of ballads in the Big Star tradition.)

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Finally, on Sunday, as I prepared to head back to Chicago, I went to Al Green’s church. Read about that experience and see a video here.

My photos from Gonerfest are in several separate galleries:

Day 1 — opening ceremonies at Cooper Young Gazebo (Nots) and nighttime show at Hi Tone (emcee Jim Dandy, Hash Redactor, Chook Race, Counter Intuits, Useless Eaters, Fred & Toody, Reigning Sound)

Day 2 daytime party at Memphis Made Brewing (LSDOGS, Kool 100s, Trampoline Team, Pity)

Day 2 nighttime show at Hi Tone (Opposite Sex, Aquarian Blood, Power, Buck Biloxi, Blind Shake, Black Lips)

Day 3 daytime party at Murphy’s (Casual Burn, Bloodbags, Fire Retarded, Archie & The Bunkers, Iron Head, Zerodent, Oh Boland, Bloody Show, The World, Spray Paint)

Day 3 nighttime show at Hi Tone (emcee Tom Scharpling, Couteau Latex, Sick Thoughts, Bloodshot Bill, Control Freaks, Midnight Snaxxx, Kid Congo and the Pink Monkey Birds)