Favorite Concerts of 2016

1. Bill Callahan

Bill Callahan
Bill Callahan

Sept. 26 during the Cropped Out festival at the American Turners Club in Louisville.
After 7 p.m., as the sun was going down, Callahan walked out onto the American Turner Club’s deck next to the Ohio River, where a small crowd had gathered for his performance. As Callahan played, insects along the rivers buzzed and chirped. Boats passed by on the river. Birds flying in V-shaped formations crossed the sky overheard. Throughout it all, Callahan sang with his typical poise, quirky sense of timing and wry humor. The astounding guitarist Matt Kinsey coaxed incredible sounds out of his Gibson SG electric guitar, almost like a second voice duetting with Callahan. What a transporting and unforgettable hour it was. See my blog post and photos. (Honorable mention: The Callahan concert I saw a few days later at Constellation in Chicago was also damn good.)

2. Case/Lang/Veirs

Aug. 7 at the Chicago Theatre.
Three terrific singer-songwriters — Neko Case, k.d. lang and Laura Veirs — teamed up for a album last year, and their concert was just as collaborative and warm-spirited. A special night featuring three amazing voices.

3. Ragamala

Sunrise as the Sama Venkatesaiah Balakrishna Troupe plays
Sunrise as the Sama Venkatesaiah Balakrishna Troupe plays

Sept. 9-10 at the Chicago Cultural Center.
A 15-hour concert of Indian classical music, stretching from 6 p.m. on Friday, Sept. 9, until 9 a.m. on Saturday, Sept. 10, with sitars, tablas, flutes, violins and singers sounding all night under the magnificent Tiffany Dome in Preston Bradley Hall. The music was mesmerizing, beautiful and astonishing. Many of the pieces that were performed were intended to be heard at the specific times they were played, such as ragas for the “coming dawn,” which were heard around 4:30 a.m. The pink hues of the rising sun trickled into the grand room after 6 a.m., glinting in the world’s largest Tiffany glass dome. It was a gorgeous sight to behold, all the more so with such incredible musical accompaniment. See my blog post and photos.

4. Le Butcherettes

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March 3 at Subterranean.
Le Butcherettes’ beautiful frontwoman Teri Gender Bender (aka Teresa Suárez) strides around the stage like she owns it — rapidly changing her facial expressions from wide-mouthed, wide-eyed insanity to gentle smiles as she switched between guitar and keyboards. See my blog post and photos. See my blog post and photos.

5. Joan Shelley

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Dec. 3 at the Hideout.
Shelley’s voice was stunningly beautiful at the Hideout show, especially when she sang a cappella versions of two traditional folk songs: “Darlin’ Don’t You Know That’s Wrong” by Addie Graham and the chillingly macabre “Little Margaret,” which closes with the lyrics: “Three times he kissed her cold corpsy lips/And fell in her arms asleep.” Honorable mention goes to Shelley’s lovely set at the Cropped Out festival in Louisville. Like the set by Bill Callahan, it was performed at sunset on the banks of the Ohio River. Both times I saw Shelley in 2016, the beauty of her song “Not Over by Half” brought tears to my eyes.
See my blog post and photos.

6. LCD Soundsystem

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July 31 during Lollapalooza at Grant Park.
The crowd around me was dancing with joy at the end. See my blog post and photos.

7. Ryley Walker

 

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Aug. 25 at the Empty Bottle.
This felt like a quintessential night of live Chicago music: seeing Tortoise at Millennium Park, followed by Ryley Walker’s late concert at the Empty Bottle. (Consider the Tortoise show an honorable mention here.) Walker and his collaborators know how to stretch a song out, to revel in grooves, to explore a chord progression or melodic motif in ways that are hypnotic and enchanting. This set was a marvel. See my blog post and photos.

8. The Flat Five and Chris Ligon

Oct. 22 at the Old Town School of Folk Music.
As I wrote in my album review, the debut album by the Flat Five, It’s a World of Love and Hope, is a strange and wonderful thing. I doubt you’ll hear any other record this year that sounds anything like this. And this performance was especially great, with an opening set by Flat Five member Scott Ligon’s brother, Chris — the eccentric genius who wrote all of the songs on the album. (Honorable mention: The Flat Five also played a lovely show at the Green Mill.)

9. The Necks

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March 27 at Constellation.
The Necks’ minimalist motifs gradually transformed, growing in volume and intensity, but a steadiness remained at the heart of the music — each musician closely following the lead of the others but then pulling the trio in a slightly new direction. It was a wonder to see and hear. See my blog post and photos.

10. Reigning Sound

Reigning Sound
Reigning Sound

Sept. 29 during Goner Fest at the Hi Tone in Memphis.
The excitement of the crowd was palpable. Maybe it was because this was a hometown show for the band. Or maybe people were just thrilled to see this version of the band. People were dancing and singing along all around me, and the enthusiasm was contagious. And as Greg Cartwright sang one quick masterpiece after another, it reminded me of just how impressive those Reigning Sound albums are, with tightly wounded rock tunes reminiscent of the 1960s, packing memorable melodies into every minute. See my blog post and photos.

Special prize: Robbie Fulks

Monday-night residency at the Hideout.
So many excellent nights of music and repartee. If I had a choose a favorite from 2016, it might be Fulks’ show with Linda Gail Lewis on Aug. 29. Jerry Lee Lewis’ sister sang and played the piano very much in the style of her more famous brother — including many covers of his hits — with Fulks, Scott Ligon, Casey McDonough and Alex Hall (aka those guys from the Flat Five and the Western Elstons) providing just the right accompaniment. Lewis kept smiling, and so did I.

Honorable mentions:

Godspeed You! Black Emperor, Feb. 13 at Rockefeller Chapel
Neko Case and Robbie Fulks, Feb. 15 at the Tivoli Theatre in Downers Grove
eighth blackbird with Bonnie “Prince” Billy, March 26 at the Museum of Contemporary Art Chicago
Waco Brothers and The Sadies, May 21 at Wire in Berwyn
Savages, July 16 during the Pitchfork Music Festival at Union Park
Kamasi Washington, July 17 during the Pitchfork Music Festival at Union Park
King Sunny Ade, July 18 at the Jay Pritzker Pavilion in Millennium Park
Vulgar Boatmen with Walter Salas-Humara, July 27 at Martyrs’ Radiohead, July 29 during Lollapalooza in Grant Park
Mbongwana Star, Aug. 11 at the Jay Pritzker Pavilion in Millennium Park Wilco and Twin Peaks, Aug. 21 at the Jay Pritzker Pavilion in Millennium Park Guided By Voices, Sept. 3 at Metro Eleventh Dream Day, Sept. 10 at the Hideout
Joshua Abrams & Natural Information Society + Bitchin Bajas and Emmet Kelly with Joshua Abrams Quintet, Nov. 15 at the Hideout Robyn Hitchcock and Emma Swift, Nov. 17 at City Winery
Kawabata Makoto & Tatsuya Nakatani, Nov. 29 at the Empty Bottle

Favorite Albums of 2016

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1. David Bowie: Blackstar

The year began with the sound of David Bowie, sounding as alien and inventive as he ever had. The mysterious and wondrous title track that opened his new album, “Blackstar,” arrived first in the form of a 10-minute video — a beautiful science-fiction film in miniature, really. Bowie, who was as famous for transforming his look as he was for transforming his sound, appeared in the new video with one of his most haunting guises. A swath of fabric resembling a bandage or part of a mummy’s wrapping was wound around his head, covering the eyes. Buttons substituted for the eyes, like blind dots drawn on the face of a blind man. Halfway through the epic song, Bowie sang:

Something happened on the day he died
Spirit rose a meter and stepped aside
Somebody else took his place, and bravely cried:
I’m a blackstar, I’m a blackstar…

And then of course, just two days after the album Blackstar was released, Bowie died of cancer. The news was a surprising shock, and it cast the Blackstar album in a new light. Suddenly, that record, which I’d already find beguiling, read like Bowie’s farewell note to the world. “Look up here, I’m in heaven,” he sang in another song, “Lazarus.” Bowie didn’t sound alien so much as he sounded angelic. His death — and the outpouring of grief and tributes from his fans — set the tone for a year that was filled with mourning. Many noted public figures passed away, including the musical icons Prince and Leonard Cohen as well as many other great talents — ​the death of Sharon Jones hit me particularly hard.

Truth be told, I set aside Blackstar for several months after Bowie’s death. When I returned it later in the year, it sounded otherworldly and timeless — an art-rock masterwork — but also the perfect soundtrack for this strange and unsettling year. It’s my choice for my favorite album of the year. And for once, my No. 1 album is a front-runner in the critical sweepstakes (judging from Rob Mitchum’s spreadsheet compiling various publications’ “album of the year” lists).
davidbowie.com

2. Cate Le Bon: Crab Day

This Welsh-born singer-songwriter’s record masterfully mixes twitchy guitar riffs, herky-jerky krautrock rhythms and Kurt Weill-esque cabaret tunes into her own distinctive music. The way Le Bon sings the curious chorus “I’m a dirty attic,” it sounds like both a confession and a defiant proclamation. catelebon.com
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3. Nick Cave & the Bad Seeds: Skeleton Tree

Another album of mourning, this is Cave at his most pensive and soulful, recorded as Cave wrestled with grief in the wake of his teenage son’s death. The film One More Time With Feeling showed Cave and his bandmates at work on this album, documenting its difficult birth. Through this music, Cave seems to be searching for a way to heal his sorrow. Like the best of sad music, somehow it made me feel better to hear it.
nickcave.com

4. PJ Harvey: The Hope Six Demolition Project

Harvey continues evolving as an artist, taking her sound in new directions as she addresses the world with socially and politically conscious lyrics inspired by trips to Kosovo, Afghanistan and Washington, D.C. The arrangements — recorded during a residency where visitors observed the sessions through one-way glass — sound as if they’re built around the quirky phrasings of how Harvey sings her words. And when the backup singers chime in, the tunes take on the rousing power of protest anthems and gospel numbers.
pjharvey.net

5. Radiohead: A Moon Shaped Pool

It would be a strange thing for Radiohead to release an album and for me not to include it in my top 10. Simply put, Radiohead has been one of the world’s best rock bands — and one of my favorites — for many years now. I’m not sure that the group broke much new ground with this record, but it continued creating the sort of melancholic and mysterious music I’ve come to expect from Radiohead. It’s artful and haunting.
radiohead.com

6. The Flat Five: It’s a World of Love and Hate

One of my favorite live acts in Chicago finally got around to making a record, and it was delightfully odd — and just plain delightful. (Read my album review.)
theflatfivechicago.com
bloodshotrecords.com

7. Robbie Fulks: Upland Stories

This Chicago country and folk musician — so damn talented as a guitarist, singer, songwriter and raconteur — followed up his fantastic 2013 album Gone Away with another superb collection. It’s a wonderful distillation of what he does best: telling stories filled with wisdom, humor and distinct characters, each sketch just a few minutes long, but so memorable and melodic. (I was present at the Hideout when this video of “Alabama at Night” was recorded, and you can see me near the end, clapping in the audience.)
robbiefulks.com
bloodshotrecords.com

8. Charles Bradley: Changes

This soul singer, whose success as a recording artist came late in his life, opens his latest album with a spoken monologue, calling himself “a brother that came from the hard licks of life” and proclaiming that America, for all its faults, “represents love for all humanity and the world.” That leads into a short version of “God Bless America,” setting the tone for the rest of the album. Bradley pours everything he’s got into these powerful tunes. On Oct. 4, the 67-year-old Bradley announced that doctors had discovered a cancerous tumor in his stomach, forcing him to cancel a concert tour. Let’s hope he gets the medical care he needs and keeps making music.
thecharlesbradley.com
daptonerecords.com

9. Jeff Parker: The New Breed

The rhythms, textures and arrangements on this record set it apart from the other jazz music I’ve heard. Parker, a guitarist and composer who’s also a member of the experimental rock band Tortoise, creates intriguing sonic landscapes here. The album features bassist and recording engineer Paul Bryan (known for his work with Aimee Mann), saxophonist Josh Johnson and drummer Jamire Williams, with Parker’s daughter Ruby Parker singing on one song. It feels like a story is unfolding over the course of these songs, something like the soundtrack to a film with shifting images of a city. At least, that’s what runs through my mind.
jeffparkersounds.com
intlanthem.com

10. Twin Peaks: Down In Heaven

These young Chicagoans are a rock band in the truest sense of the term — trading off lead vocals, piling on the guitar riffs and other musical flourishes, and writing catchy songs that hark back to the classics of the 1960s. They do it all with exuberance and smarts.
twinpeaksdudes.com

Runners-up

Angel Olsen, My Woman
Horse Lords, Interventions
Kevin Morby, Singing Saw
Oh Boland, Spilt Milk
Teenage Fanclub, Here
Drive-By Truckers, American Band
case/lang/veirs, case/lang/veirs
Sturgill Simpson, A Sailor’s Guide to Earth
Lydia Loveless, Real
Ryley Walker, Golden Sings That Have Been Sung
Wussy, Forever Sounds
Big Thief, Masterpiece
Mekons, Existentialism
Ultimate Painting, Dusk
Wilco, Schmilco
Mitski, Puberty 2
M. Ward, More Rain
Chivalrous Amoekons, Fanatic Voyage
Whitney, Light Upon the Lake
Teletype, Spontaneity
Chook Race, Around the House
Black Mountain, IV
Bonnie Prince Billy, Pond Scum
Kitchen’s Floor, Battle of Brisbane
Cross Record, Wabi-Sabi
Colin Stetson, Sorrow: A Reimagining of Góreckis 3rd Symphony
Henryk Górecki, Symphony No. 4: Tansman Episodes
Eric Bachmann, Eric Bachmann
Leonard Cohen, You Want It Darker
Lucinda Williams, The Ghosts of Highway 20
The Handsome Family, Unseen
Those Pretty Wrongs, Those Pretty Wrongs
Waco Brothers, Going Down in History
Fruit Bats, Absolute Loser
Car Seat Headrest, Teens of Denial
Savages, Adore Life
Michael Kiwanuka, Love & Hate
Eleanor Friedberger, New View
Freakwater, Scheherazade
Thee Oh Sees, A Weird Exits
Zerodent, Zerodent
Klaus Johann Grobe, Spagat der Liebe
Steve Gunn, Eyes on the Lines
Doug Tuttle, It Calls on Me
Bob Mould, Patch the Sky
Chance the Rapper, Coloring Book
John Prine, For Better, Or Worse
Konono N°1 and Batida, Konono N°1 meets Batida
Morgan Delt, Phase Zero
Bad Sports, Living With Secrets
Rob Mazurek & Emmett Kelly, Alien Flower Sutra
Guided By Voices, Please Be Honest